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madeline bernhard
actor. producer. collaborator.
press
WOYZECK
"The beginning of Seth Bockley’s staging sets the tone, with Marie (Madeline Bernhard) on her back, giving birth to an accordion. It’s a simple but very effective idea, and the show is full of those."
THE NEW YORK TIMES
"This kind of production is exactly why we live here." THE NEW YORK TIMES
"Even in the sweltering heat, the performances are nothing less than committed. Bernhard captures Marie’s hunger, as well as her growing sense of hopelessness." THEATERMANIA
"WOYZECK, in short, is about a poor soldier (Ryan Czerwonko)—forced to subsist on peas as the subject of cruel experiments—who kills his mistress, Marie (Madeline Bernhard) after a stretch of jealous contemplation. Czerwonko and Bernhard are precise, striking, and perfectly neurotic in their performances. Had they just been a touch more or less unhinged, it would have been an entirely different, and probably worse, play. In the sway between weird and eerie, Adult Film’s WOYZECK toggles both." MELODRAMA
"[The Idiot] is treated as a kind of Christ figure in one scene by Marie, whose warring frustration, desire, and guilt Bernhard charts in an outstanding turn." THINKING THEATER NYC
"Madeline Bernhard refuses to reduce Marie to either saint or seductress, locating instead a young woman trapped between maternal devotion, erotic longing, and crushing economic reality. Her chemistry with Taylor Petracek's swaggering Drum Major crackles with dangerous inevitability."
HI! DRAMA
"As Marie, Madeline Bernhard gives an engrossing depiction of the inner life of a woman dealing with complicated feelings of detachment and longing." FRONT MEZZ JUNKIES
"Across the board, the acting is rigorous yet in-your-face...This Woyzeck is unlike anything that’s playing in New York at the moment." INTERLUDES
CHERRY
ORCHARD
"Bernhard engagingly incarnates Dunyasha's journey through romantic excitement, jealousy,
and betrayal." THINKING THEATER NYC
"In this contemporary rendition, each character is vividly sketched and vibrantly individuated; these characters do not merely live and breathe—they dance through life." BRUISER MAG
"It’s a large cast, each part with its own starmaking moments and a well-rehearsed synchronicity that constellate to form what I consider to be the greatest achievement a scrappy independent theater company can muster: an ensemble show with truly evenly distributed load-bearing responsibility."
READCOPY.CO
"The ensemble of actors beautifully embodies the characters, exploring some of the subtler elements of their personalities." THEATERSCENE.NET
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